In Cairo, Reflection as Revolt Pivots Again

In Cairo, Reflection as Revolt Pivots Again

CAIRO — By morning, the first cement block in the wall went up. Then another and another, until no one — not the idealistic youths demanding the revolution go on, not the soccer fans looking for a fight, not the downtrodden simply demanding something more — could see across the street that had emerged as the arena for this week’s uprising in Egypt.

The pangs of violence that posed the greatest crisis to the country since the fall of President Hosni Mubarak in February ended Thursday — for now — as the Egyptian military managed to pull apart the protesters from the police. But, as tear gas still clung to the winter breeze, their legacy for the promise and peril of Egypt’s revolution had already emerged.

With grit and determination, youths joined in solidarity marshaled what they had to keep their fight alive, running first-aid clinics and feeding the hungry, even as their colleagues on the front line made demands that no government, at least now, can deliver.

“We want social justice,” said Ali Mohammed, 20, who was spending his sixth day near the barricades. “Nothing more. That’s the least that we deserve.”

There were no cries of victory Thursday. The day rather seemed a moment to reflect, as the most spectacular of all the Arab world’s revolts and revolutions pivoted again, this time toward elections, more planned protests in Tahrir Square and other milestones in a transition to truly civilian rule that even now does not seem assured. The week of unrest demonstrated that the voices in the square, yet unarticulated and still unrepresented by the powers that be, will somehow have a say in what ensues.

The cry in January and February was that the people wanted the fall of the Mubarak government. On Thursday, a variation rung out, as crowds marched down a street littered with the detritus of their days of battle. “The people want the right to belong,” it went bluntly.

Soon after the clashes erupted Saturday, social media, television and word of mouth drew people to a square that, until this week, had failed to muster the kind of resilience witnessed in the winter. Party allegiance was faint, as was loyalty to leaders who have failed to channel protesters’ frustration. Often cited was allegiance to one another.

Ibtisam Hamdy, 19, an engineering student, was drawn to the square by the bloodshed. Soon she had placed a gas mask and goggles over her pink veil to fend off the tear gas. Once there, she began ferrying supplies to eight makeshift health clinics.

“I realized there was so much that had to be done,” she said.

Activists soon turned to social media to keep the protests supplied. A Twitter account called @TahrirSupplies garnered more than 13,000 followers in three days, some of whom answered requests for food, transportation and blood donations, as the toll in the fights eventually grew to 38 killed and hundreds wounded. “From the world to Tahrir,” its handle read. “While borders and politics divide, humanity unites us.”

One of those 38 was Rania Fouad, a doctor who died Wednesday night, activists said, from asphyxiation caused by the tear gas, as she volunteered at one of the clinics.

“I am doing all that I can do,” said Ahmed Osman, 22, a dental student helping at another clinic, which amounted to little more than blankets spread on cold tile floors dirtied by what seemed like thousands of footsteps, stacks of donated inhalers, rubbing alcohol, oxygen canisters and disinfectant piled to the side.

He came down after seeing the wounded arrive at one of Cairo’s largest hospitals, where he is an intern. He stayed until the clashes ended. At times, he joined the fray, battling with rocks and bottles the police who were little more than a football field away. Then he returned to help treat the wounded, some of whom he had fought beside only moments before.

“I can help in two ways, so I’m doing them both,” he said. He wore a bomber jacket and a gas mask around his neck. “If there was a third thing, I would do that, too.”

The mood was more sullen on Muhammad Mahmoud Street, which did not look much like a street. As the military deployed a crane to pile concrete block on concrete block in front of a coil of concertina wire, piles of ashen refuse spilled across the asphalt. There were surgical masks, crushed bottles of saline solution, scarves so soiled they were bereft of color, shoes lost in flight and bricks splintered, smashed and thrown in the battle.

“What kind of revolution does this to its people?” asked Mahmoud Abu Shanab, 20, who had been there since Saturday, sleeping on the sidewalk.

The conversations were chaotic, befitting the scene. Some people debated the finer points of the military’s attempt to keep power through the constitution, or the failings of Essam Sharaf, the prime minister who resigned this week. Others mentioned Occupy Wall Street and the origin of the tear gas fired on them: the United States. But a current ran through the crowd, and that was the hatred for the police. It was the same police who had enforced Mr. Mubarak’s order, the same police here this week, and the same police who administered all those years of humiliations, bribes and beatings.

“We broke them on Jan. 25,” said Ahmed Abdel-Galil, a 21-year-old student, referring to the date that Egypt’s revolution began. “And they still think they can put a boot on our neck.”

“There has to be revenge,” he added.

The sentiments heard here Thursday will probably haunt Egypt’s transition. They reflected the feelings of youths yet to reap the benefits of change. The ire at Field Marshal Mohamed Hussein Tantawi, the de facto leader, stemmed from his status as a symbol of the old order, or as a measure of the failure of Mr. Mubarak’s fall to alter their lives.

“It is as it was,” said Muhammad Tawhid, an 18-year-old soccer fan. Collectively, the fans are known as Ultras, whose numbers helped form the backbone of the fight.

A group of them sat on the curb. Each offered a notion of what he wanted.

“Freedom and justice,” Muhammad Mustafa said.

“Someone decent in charge,” Mustafa Ahmed added.

Their friends offered more: an apartment, a car, a job and a future.

Finally, Osama Karim spoke up.

“Someone to fix the country,” he volunteered. “That sort of thing.”

By afternoon, the wall was complete. A line of helmeted soldiers stood atop as youths beneath them chanted for the revolution to go on. Only children who had climbed trees could see past the barricade, down the street and beyond, but they were far away.

Mr. Tawhid gazed at the wall, not ready to leave.

The World's First Temple! Or ... Not?

The World's First Temple! Or ... Not?

In Turkey over 11,000 years ago, people created a massive structure at a hilltop site called Gobekli Tepe. After carving limestone pillars with all sorts of animal images, they hauled the 16-ton stones into multiple huge rings ? without the help of wheeled vehicles or domesticated animals.

I have been fascinated by this site for years. For one thing, Gobekli Tepe (the accepted story goes) was constructed by hunter-gatherers. When announced, this was major news. Ancient hunter-gatherers, who neither farmed nor lived in settled villages, had long been thought to be too simply organized to pull off anything on the scale of Gobekli Tepe.

For another thing, the site is billed by German archaeologist Klaus Schmidt as the world's first temple. This provocative claim led to a National Geographic cover story last June. To pinpoint the dawn of religious ritual would, of course, be a fantastic accomplishment for anthropology.

Both of these major points are now contested by a Canadian anthropologist.

Writing in the October issue of the journal Current Anthropology, E.B. Banning suggests that the builders of Gobekli Tepe may have been settlers (not hunter-gatherers) at the site, living in spaces best understood as both sacred and domestic. In other words, there was no temple, but symbolic rituals of a sacred nature probably did take place within people's ordinary houses.

Banning charges that anthropologists too often make a cardinal error. They superimpose the modern Western concept of sacred versus profane (some buildings are reserved for religious activities and others for everyday living) incorrectly onto the Near Eastern past.

But let's start at the beginning. Why does Schmidt conclude that Gobekli Tepe was a temple? Excavating, Schmidt found no convincing signs of human occupation there: no ovens, fireplaces or other hints of residential dwellings. The huge T-shaped pillars seemed to him to represent stylized human shapes, and their carved images ? scorpion-like animals, snakes and wild boar ? he saw as religious totems. Again and again, the existing pillars had been buried and new ones constructed, as if to renew their power. For Schmidt, all this adds up to a temple.

By contrast, Banning finds it more likely that these ancient people made no sharp distinction been sacred and profane. Their cosmology, he writes, "infused everyday life ? including its residential or domestic buildings, activities and spaces ? with meaning and spirituality."

Among Banning's key points (winnowed from a long, dense paper) are these:

*Analogy from modern society tells us that house spaces do involve the sacred as well as the profane. (I note here that Banning apparently only approves of importing a modern comparison when it helps his case!) In West Africa, for instance, the Batammaliba people construct their houses in metaphorical keeping with their cosmology. The upper part is the sky, the terrace is the earth, and the lower rooms are the underworld.

*At other sites near Gobekli Tepe and built at around the same time, the dead were buried beneath the floors of houses, and skulls adorned the houses' interiors. In other words, sacred rituals and images infused the domestic areas.

* The buildings' size and style of construction (again taken within temporal context) in no way rule them out as houses. Further, portable mortars and stone bowls from Gobekli Tepe indicate that people did indeed reside there.

*Sickles, found on site, suggest that Gobekli Tepe people may well have been cultivating plants like emmer, einkorn and barley, even if they were not full-time farmers.

In sum, Banning thinks that Gobekli Tepe is a collection of houses where villagers carried out symbolic and sacred activities. There's no reason to invoke a specialized temple.

So what are we to think? I'm not yet ready to cast out the hunter-gatherers from the Gobekli Tepe scenario ? no one knows for sure how these people made a living ? but a fresh perspective on the use of ancient domestic space as also sacred space is welcome.

One conclusion holds firm. The Gobekli Tepe people carried out symbolic and sacred activities on a hilltop they adorned with massive architecture ? 5,000 years before Stonehenge. Temple or no temple, that fact fascinates me still.


Barbara J. King is a biological anthropologist at the College of William and Mary in Virginia, the writer of non-fiction science books, most recently Being With Animals, a contributor to 13.7 and a Twitter addict.

Göbekli Tepe and the birth of religion and civilization

National Geographic: The Birth of Religion - The World’s First Temple

Gobekli Tepe

We used to think agriculture gave rise to cities and later to writing, art, and religion. Now the world’s oldest temple suggests the urge to worship sparked civilization.

View a photo gallery of Gobekli Tepe here

By Charles C. Mann

Every now and then the dawn of civilization is reenacted on a remote hilltop in southern Turkey.

The reenactors are busloads of tourists—usually Turkish, sometimes European. The buses (white, air-conditioned, equipped with televisions) blunder over the winding, indifferently paved road to the ridge and dock like dreadnoughts before a stone portal. Visitors flood out, fumbling with water bottles and MP3 players. Guides call out instructions and explanations. Paying no attention, the visitors straggle up the hill. When they reach the top, their mouths flop open with amazement, making a line of perfect cartoon O’s.

Before them are dozens of massive stone pillars arranged into a set of rings, one mashed up against the next. Known as Göbekli Tepe (pronounced Guh-behk-LEE TEH-peh), the site is vaguely reminiscent of Stonehenge, except that Göbekli Tepe was built much earlier and is made not from roughly hewn blocks but from cleanly carved limestone pillars splashed with bas-reliefs of animals—a cavalcade of gazelles, snakes, foxes, scorpions, and ferocious wild boars. The assemblage was built some 11,600 years ago, seven millennia before the Great Pyramid of Giza. It contains the oldest known temple. Indeed, Göbekli Tepe is the oldest known example of monumental architecture—the first structure human beings put together that was bigger and more complicated than a hut. When these pillars were erected, so far as we know, nothing of comparable scale existed in the world.

At the time of Göbekli Tepe’s construction much of the human race lived in small nomadic bands that survived by foraging for plants and hunting wild animals. Construction of the site would have required more people coming together in one place than had likely occurred before. Amazingly, the temple’s builders were able to cut, shape, and transport 16-ton stones hundreds of feet despite having no wheels or beasts of burden. The pilgrims who came to Göbekli Tepe lived in a world without writing, metal, or pottery; to those approaching the temple from below, its pillars must have loomed overhead like rigid giants, the animals on the stones shivering in the firelight—emissaries from a spiritual world that the human mind may have only begun to envision.

Archaeologists are still excavating Göbekli Tepe and debating its meaning. What they do know is that the site is the most significant in a volley of unexpected findings that have overturned earlier ideas about our species’ deep past. Just 20 years ago most researchers believed they knew the time, place, and rough sequence of the Neolithic Revolution—the critical transition that resulted in the birth of agriculture, taking Homo sapiens from scattered groups of hunter-gatherers to farming villages and from there to technologically sophisticated societies with great temples and towers and kings and priests who directed the labor of their subjects and recorded their feats in written form. But in recent years multiple new discoveries, Göbekli Tepe preeminent among them, have begun forcing archaeologists to reconsider.

At first the Neolithic Revolution was viewed as a single event—a sudden flash of genius—that occurred in a single location, Mesopotamia, between the Tigris and Euphrates Rivers in what is now southern Iraq, then spread to India, Europe, and beyond. Most archaeologists believed this sudden blossoming of civilization was driven largely by environmental changes: a gradual warming as the Ice Age ended that allowed some people to begin cultivating plants and herding animals in abundance. The new research suggests that the “revolution” was actually carried out by many hands across a huge area and over thousands of years. And it may have been driven not by the environment but by something else entirely.

After a moment of stunned quiet, tourists at the site busily snap pictures with cameras and cell phones. Eleven millennia ago nobody had digital imaging equipment, of course. Yet things have changed less than one might think. Most of the world’s great religious centers, past and present, have been destinations for pilgrimages—think of the Vatican, Mecca, Jerusalem, Bodh Gaya (where Buddha was enlightened), or Cahokia (the enormous Native American complex near St. Louis). They are monuments for spiritual travelers, who often came great distances, to gawk at and be stirred by. Göbekli Tepe may be the first of all of them, the beginning of a pattern. What it suggests, at least to the archaeologists working there, is that the human sense of the sacred—and the human love of a good spectacle—may have given rise to civilization itself.

Klaus Schmidt knew almost instantly that he was going to be spending a lot of time at Göbekli Tepe. Now a researcher at the German Archaeological Institute (DAI), Schmidt had spent the autumn of 1994 trundling across southeastern Turkey. He had been working at a site there for a few years and was looking for another place to excavate. The biggest city in the area is Şanlıurfa (pronounced shan-LYOOR-fa). By the standards of a brash newcomer like London, Şanlıurfa is incredibly old—the place where the Prophet Abraham supposedly was born. Schmidt was in the city to find a place that would help him understand the Neolithic, a place that would make Şanlıurfa look young. North of Şanlıurfa the ground ripples into the first foothills of the mountains that run across southern Turkey, source of the famous Tigris and Euphrates Rivers. Nine miles outside of town is a long ridge with a rounded crest that locals call Potbelly Hill—Göbekli Tepe.

In the 1960s archaeologists from the University of Chicago had surveyed the region and concluded that Göbekli Tepe was of little interest. Disturbance was evident at the top of the hill, but they attributed it to the activities of a Byzantine-era military outpost. Here and there were broken pieces of limestone they thought were gravestones. Schmidt had come across the Chicago researchers’ brief description of the hilltop and decided to check it out. On the ground he saw flint chips—huge numbers of them. “Within minutes of getting there,” Schmidt says, he realized that he was looking at a place where scores or even hundreds of people had worked in millennia past. The limestone slabs were not Byzantine graves but something much older. In collaboration with the DAI and the Şanlıurfa Museum, he set to work the next year.

Inches below the surface the team struck an elaborately fashioned stone. Then another, and another—a ring of standing pillars. As the months and years went by, Schmidt’s team, a shifting crew of German and Turkish graduate students and 50 or more local villagers, found a second circle of stones, then a third, and then more. Geomagnetic surveys in 2003 revealed at least 20 rings piled together, higgledy-piggledy, under the earth.

The pillars were big—the tallest are 18 feet in height and weigh 16 tons. Swarming over their surfaces was a menagerie of animal bas-reliefs, each in a different style, some roughly rendered, a few as refined and symbolic as Byzantine art. Other parts of the hill were littered with the greatest store of ancient flint tools Schmidt had ever seen—a Neolithic warehouse of knives, choppers, and projectile points. Even though the stone had to be lugged from neighboring valleys, Schmidt says, “there were more flints in one little area here, a square meter or two, than many archaeologists find in entire sites.”

The circles follow a common design. All are made from limestone pillars shaped like giant spikes or capital T’s. Bladelike, the pillars are easily five times as wide as they are deep. They stand an arm span or more apart, interconnected by low stone walls. In the middle of each ring are two taller pillars, their thin ends mounted in shallow grooves cut into the floor. I asked German architect and civil engineer Eduard Knoll, who works with Schmidt to preserve the site, how well designed the mounting system was for the central pillars. “Not,” he said, shaking his head. “They hadn’t yet mastered engineering.” Knoll speculated that the pillars may have been propped up, perhaps by wooden posts.

To Schmidt, the T-shaped pillars are stylized human beings, an idea bolstered by the carved arms that angle from the “shoulders” of some pillars, hands reaching toward their loincloth-draped bellies. The stones face the center of the circle—as at “a meeting or dance,” Schmidt says—a representation, perhaps, of a religious ritual. As for the prancing, leaping animals on the figures, he noted that they are mostly deadly creatures: stinging scorpions, charging boars, ferocious lions. The figures represented by the pillars may be guarded by them, or appeasing them, or incorporating them as totems.

Puzzle piled upon puzzle as the excavation continued. For reasons yet unknown, the rings at Göbekli Tepe seem to have regularly lost their power, or at least their charm. Every few decades people buried the pillars and put up new stones—a second, smaller ring, inside the first. Sometimes, later, they installed a third. Then the whole assemblage would be filled in with debris, and an entirely new circle created nearby. The site may have been built, filled in, and built again for centuries.

Bewilderingly, the people at Göbekli Tepe got steadily worse at temple building. The earliest rings are the biggest and most sophisticated, technically and artistically. As time went by, the pillars became smaller, simpler, and were mounted with less and less care. Finally the effort seems to have petered out altogether by 8200 B.C. Göbekli Tepe was all fall and no rise.

As important as what the researchers found was what they did not find: any sign of habitation. Hundreds of people must have been required to carve and erect the pillars, but the site had no water source—the nearest stream was about three miles away. Those workers would have needed homes, but excavations have uncovered no sign of walls, hearths, or houses—no other buildings that Schmidt has interpreted as domestic. They would have had to be fed, but there is also no trace of agriculture. For that matter, Schmidt has found no mess kitchens or cooking fires. It was purely a ceremonial center. If anyone ever lived at this site, they were less its residents than its staff. To judge by the thousands of gazelle and aurochs bones found at the site, the workers seem to have been fed by constant shipments of game, brought from faraway hunts. All of this complex endeavor must have had organizers and overseers, but there is as yet no good evidence of a social hierarchy—no living area reserved for richer people, no tombs filled with elite goods, no sign of some people having better diets than others.

“These people were foragers,” Schmidt says, people who gathered plants and hunted wild animals. “Our picture of foragers was always just small, mobile groups, a few dozen people. They cannot make big permanent structures, we thought, because they must move around to follow the resources. They can’t maintain a separate class of priests and craft workers, because they can’t carry around all the extra supplies to feed them. Then here is Göbekli Tepe, and they obviously did that.”

Discovering that hunter-gatherers had constructed Göbekli Tepe was like finding that someone had built a 747 in a basement with an X-Acto knife. “I, my colleagues, we all thought, What? How?” Schmidt said. Paradoxically, Göbekli Tepe appeared to be both a harbinger of the civilized world that was to come and the last, greatest emblem of a nomadic past that was already disappearing. The accomplishment was astonishing, but it was hard to understand how it had been done or what it meant. “In 10 or 15 years,” Schmidt predicts, “Göbekli Tepe will be more famous than Stonehenge. And for good reason.”

Hovering over Göbekli Tepe is the ghost of V. Gordon Childe. An Australian transplant to Britain, Childe was a flamboyant man, a passionate Marxist who wore plus fours and bow ties and larded his public addresses with noodle-headed paeans to Stalinism. He was also one of the most influential archaeologists of the past century. A great synthesist, Childe wove together his colleagues’ disconnected facts into overarching intellectual schemes. The most famous of these arose in the 1920s, when he invented the concept of the Neolithic Revolution.

In today’s terms, Childe’s views could be summed up like this: Homo sapiens burst onto the scene about 200,000 years ago. For most of the millennia that followed, the species changed remarkably little, with humans living as small bands of wandering foragers. Then came the Neolithic Revolution—”a radical change,” Childe said, “fraught with revolutionary consequences for the whole species.” In a lightning bolt of inspiration, one part of humankind turned its back on foraging and embraced agriculture. The adoption of farming, Childe argued, brought with it further transformations. To tend their fields, people had to stop wandering and move into permanent villages, where they developed new tools and created pottery. The Neolithic Revolution, in his view, was an explosively important event—”the greatest in human history after the mastery of fire.”

Of all the aspects of the revolution, agriculture was the most important. For thousands of years men and women with stone implements had wandered the landscape, cutting off heads of wild grain and taking them home. Even though these people may have tended and protected their grain patches, the plants they watched over were still wild. Wild wheat and barley, unlike their domesticated versions, shatter when they are ripe—the kernels easily break off the plant and fall to the ground, making them next to impossible to harvest when fully ripe. Genetically speaking, true grain agriculture began only when people planted large new areas with mutated plants that did not shatter at maturity, creating fields of domesticated wheat and barley that, so to speak, waited for farmers to harvest them.

Rather than having to comb through the landscape for food, people could now grow as much as they needed and where they needed it, so they could live together in larger groups. Population soared. “It was only after the revolution—but immediately thereafter—that our species really began to multiply at all fast,” Childe wrote. In these suddenly more populous societies, ideas could be more readily exchanged, and rates of technological and social innovation soared. Religion and art—the hallmarks of civilization—flourished.

Childe, like most researchers today, believed that the revolution first occurred in the Fertile Crescent, the arc of land that curves northeast from Gaza into southern Turkey and then sweeps southeast into Iraq. Bounded on the south by the harsh Syrian Desert and on the north by the mountains of Turkey, the crescent is a band of temperate climate between inhospitable extremes. Its eastern terminus is the confluence of the Tigris and Euphrates Rivers in southern Iraq—the site of a realm known as Sumer, which dates back to about 4000 B.C. In Childe’s day most researchers agreed that Sumer represented the beginning of civilization. Archaeologist Samuel Noah Kramer summed up that view in the 1950s in his book History Begins at Sumer.Yet even before Kramer finished writing, the picture was being revised at the opposite, western end of the Fertile Crescent. In the Levant—the area that today encompasses Israel, the Palestinian territories, Lebanon, Jordan, and western Syria—archaeologists had discovered settlements dating as far back as 13,000 B.C. Known as Natufian villages (the name comes from the first of these sites to be found), they sprang up across the Levant as the Ice Age was drawing to a close, ushering in a time when the region’s climate became relatively warm and wet.

The discovery of the Natufians was the first rock through the window of Childe’s Neolithic Revolution. Childe had thought agriculture the necessary spark that led to villages and ignited civilization. Yet although the Natufians lived in permanent settlements of up to several hundred people, they were foragers, not farmers, hunting gazelles and gathering wild rye, barley, and wheat. “It was a big sign that our ideas needed to be revised,” says Harvard University archaeologist Ofer Bar-Yosef.

Natufian villages ran into hard times around 10,800 B.C., when regional temperatures abruptly fell some 12°F, part of a mini ice age that lasted 1,200 years and created much drier conditions across the Fertile Crescent. With animal habitat and grain patches shrinking, a number of villages suddenly became too populous for the local food supply. Many people once again became wandering foragers, searching the landscape for remaining food sources.

Some settlements tried to adjust to the more arid conditions. The village of Abu Hureyra, in what is now northern Syria, seemingly tried to cultivate local stands of rye, perhaps replanting them. After examining rye grains from the site, Gordon Hillman of University College London and Andrew Moore of the Rochester Institute of Technology argued in 2000 that some were bigger than their wild equivalents—a possible sign of domestication, because cultivation inevitably increases qualities, such as fruit and seed size, that people find valuable. Bar-Yosef and some other researchers came to believe that nearby sites like Mureybet and Tell Qaramel also had had agriculture.

If these archaeologists were correct, these protovillages provided a new explanation of how complex society began. Childe thought that agriculture came first, that it was the innovation that allowed humans to seize the opportunity of a rich new environment to extend their dominion over the natural world. The Natufian sites in the Levant suggested instead that settlement came first and that farming arose later, as a product of crisis. Confronted with a drying, cooling environment and growing populations, humans in the remaining fecund areas thought, as Bar-Yosef puts it, “If we move, these other folks will exploit our resources. The best way for us to survive is to settle down and exploit our own area.” Agriculture followed.

The idea that the Neolithic Revolution was driven by climate change resonated during the 1990s, a time when people were increasingly worried about the effects of modern global warming. It was promoted in countless articles and books and ultimately enshrined in Wikipedia. Yet critics charged that the evidence was weak, not least because Abu Hureyra, Mureybet, and many other sites in northern Syria had been flooded by dams before they could be fully excavated. “You had an entire theory on the origins of human culture essentially based on a half a dozen unusually plump seeds,” ancient-grain specialist George Willcox of the National Center for Scientific Research, in France, says. “Isn’t it more likely that these grains were puffed during charring or that somebody at Abu Hureyra found some unusual-looking wild rye?”

As the dispute over the Natufians sharpened, Schmidt was carefully working at Göbekli Tepe. And what he was finding would, once again, force many researchers to reassess their ideas.

Anthropologists have assumed that organized religion began as a way of salving the tensions that inevitably arose when hunter-gatherers settled down, became farmers, and developed large societies. Compared to a nomadic band, the society of a village had longer term, more complex aims—storing grain and maintaining permanent homes. Villages would be more likely to accomplish those aims if their members were committed to the collective enterprise. Though primitive religious practices—burying the dead, creating cave art and figurines—had emerged tens of thousands of years earlier, organized religion arose, in this view, only when a common vision of a celestial order was needed to bind together these big, new, fragile groups of humankind. It could also have helped justify the social hierarchy that emerged in a more complex society: Those who rose to power were seen as having a special connection with the gods. Communities of the faithful, united in a common view of the world and their place in it, were more cohesive than ordinary clumps of quarreling people.

Göbekli Tepe, to Schmidt’s way of thinking, suggests a reversal of that scenario: The construction of a massive temple by a group of foragers is evidence that organized religion could have come before the rise of agriculture and other aspects of civilization. It suggests that the human impulse to gather for sacred rituals arose as humans shifted from seeing themselves as part of the natural world to seeking mastery over it. When foragers began settling down in villages, they unavoidably created a divide between the human realm—a fixed huddle of homes with hundreds of inhabitants—and the dangerous land beyond the campfire, populated by lethal beasts.

French archaeologist Jacques Cauvin believed this change in consciousness was a “revolution of symbols,” a conceptual shift that allowed humans to imagine gods—supernatural beings resembling humans—that existed in a universe beyond the physical world. Schmidt sees Göbekli Tepe as evidence for Cauvin’s theory. “The animals were guardians to the spirit world,” he says. “The reliefs on the T-shaped pillars illustrate that other world.”

Schmidt speculates that foragers living within a hundred-mile radius of Göbekli Tepe created the temple as a holy place to gather and meet, perhaps bringing gifts and tributes to its priests and crafts people. Some kind of social organization would have been necessary not only to build it but also to deal with the crowds it attracted. One imagines chanting and drumming, the animals on the great pillars seeming to move in flickering torchlight. Surely there were feasts; Schmidt has uncovered stone basins that could have been used for beer. The temple was a spiritual locus, but it may also have been the Neolithic version of Disneyland.

Over time, Schmidt believes, the need to acquire sufficient food for those who worked and gathered for ceremonies at Göbekli Tepe may have led to the intensive cultivation of wild cereals and the creation of some of the first domestic strains. Indeed, scientists now believe that one center of agriculture arose in southern Turkey—well within trekking distance of Göbekli Tepe—at exactly the time the temple was at its height. Today the closest known wild ancestors of modern einkorn wheat are found on the slopes of Karaca Dağ, a mountain just 60 miles northeast of Göbekli Tepe. In other words, the turn to agriculture celebrated by V. Gordon Childe may have been the result of a need that runs deep in the human psyche, a hunger that still moves people today to travel the globe in search of awe-inspiring sights.

Some of the first evidence for plant domestication comes from Nevalı Çori (pronounced nuh-vah-LUH CHO-ree), a settlement in the mountains scarcely 20 miles away. Like Göbekli Tepe, Nevalı Çori came into existence right after the mini ice age, a time archaeologists describe with the unlovely term Pre-pottery Neolithic (PPN). Nevalı Çori is now inundated by a recently created lake that provides electricity and irrigation water for the region. But before the waters shut down research, archaeologists found T-shaped pillars and animal images much like those Schmidt would later uncover at Göbekli Tepe. Similar pillars and images occurred in PPN settlements up to a hundred miles from Göbekli Tepe. Much as one can surmise today that homes with images of the Virgin Mary belong to Christians, Schmidt says, the imagery in these PPN sites indicates a shared religion—a community of faith that surrounded Göbekli Tepe and may have been the world’s first truly large religious grouping.

Naturally, some of Schmidt’s colleagues disagree with his ideas. The lack of evidence of houses, for instance, doesn’t prove that nobody lived at Göbekli Tepe. And increasingly, archaeologists studying the origins of civilization in the Fertile Crescent are suspicious of any attempt to find a one-size-fits-all scenario, to single out one primary trigger. It is more as if the occupants of various archaeological sites were all playing with the building blocks of civilization, looking for combinations that worked. In one place agriculture may have been the foundation; in another, art and religion; and over there, population pressures or social organization and hierarchy. Eventually they all ended up in the same place. Perhaps there is no single path to civilization; instead it was arrived at by different means in different places.

In Schmidt’s view, many of his colleagues have been as slow to appreciate Göbekli Tepe as he has been to excavate it. This summer will mark his 17th year at the site. The annals of archaeology are replete with scientists who in their hurry carelessly wrecked important finds, losing knowledge for all time. Schmidt is determined not to add his name to the list. Today less than a tenth of the 22-acre site is open to the sky.

Schmidt emphasizes that further research on Göbekli Tepe may change his current understanding of the site’s importance. Even its age is not clear—Schmidt is not certain he has reached the bottom layer. “We come up with two new mysteries for every one that we solve,” he says. Still, he has already drawn some conclusions. “Twenty years ago everyone believed civilization was driven by ecological forces,” Schmidt says. “I think what we are learning is that civilization is a product of the human mind.”

Gobekli Tepe in Turkey: The World’s First Temple?

Gobekli Tepe: The World’s First Temple? | History & Archaeology | Smithsonian Magazine

Six miles from Urfa, an ancient city in southeastern Turkey, Klaus Schmidt has made one of the most startling archaeological discoveries of our time: massive carved stones about 11,000 years old, crafted and arranged by prehistoric people who had not yet developed metal tools or even pottery. The megaliths predate Stonehenge by some 6,000 years. The place is called Gobekli Tepe, and Schmidt, a German archaeologist who has been working here more than a decade, is convinced it's the site of the world's oldest temple.

"Guten Morgen," he says at 5:20 a.m. when his van picks me up at my hotel in Urfa. Thirty minutes later, the van reaches the foot of a grassy hill and parks next to strands of barbed wire. We follow a knot of workmen up the hill to rectangular pits shaded by a corrugated steel roof—the main excavation site. In the pits, standing stones, or pillars, are arranged in circles. Beyond, on the hillside, are four other rings of partially excavated pillars. Each ring has a roughly similar layout: in the center are two large stone T-shaped pillars encircled by slightly smaller stones facing inward. The tallest pillars tower 16 feet and, Schmidt says, weigh between seven and ten tons. As we walk among them, I see that some are blank, while others are elaborately carved: foxes, lions, scorpions and vultures abound, twisting and crawling on the pillars' broad sides.

Schmidt points to the great stone rings, one of them 65 feet across. "This is the first human-built holy place," he says.

From this perch 1,000 feet above the valley, we can see to the horizon in nearly every direction. Schmidt, 53, asks me to imagine what the landscape would have looked like 11,000 years ago, before centuries of intensive farming and settlement turned it into the nearly featureless brown expanse it is today.

Prehistoric people would have gazed upon herds of gazelle and other wild animals; gently flowing rivers, which attracted migrating geese and ducks; fruit and nut trees; and rippling fields of wild barley and wild wheat varieties such as emmer and einkorn. "This area was like a paradise," says Schmidt, a member of the German Archaeological Institute. Indeed, Gobekli Tepe sits at the northern edge of the Fertile Crescent—an arc of mild climate and arable land from the Persian Gulf to present-day Lebanon, Israel, Jordan and Egypt—and would have attracted hunter-gatherers from Africa and the Levant. And partly because Schmidt has found no evidence that people permanently resided on the summit of Gobekli Tepe itself, he believes this was a place of worship on an unprecedented scale—humanity's first "cathedral on a hill."

With the sun higher in the sky, Schmidt ties a white scarf around his balding head, turban-style, and deftly picks his way down the hill among the relics. In rapid-fire German he explains that he has mapped the entire summit using ground-penetrating radar and geomagnetic surveys, charting where at least 16 other megalith rings remain buried across 22 acres. The one-acre excavation covers less than 5 percent of the site. He says archaeologists could dig here for another 50 years and barely scratch the surface.

Gobekli Tepe was first examined—and dismissed—by University of Chicago and Istanbul University anthropologists in the 1960s. As part of a sweeping survey of the region, they visited the hill, saw some broken slabs of limestone and assumed the mound was nothing more than an abandoned medieval cemetery. In 1994, Schmidt was working on his own survey of prehistoric sites in the region. After reading a brief mention of the stone-littered hilltop in the University of Chicago researchers' report, he decided to go there himself. From the moment he first saw it, he knew the place was extraordinary.

Unlike the stark plateaus nearby, Gobekli Tepe (the name means "belly hill" in Turkish) has a gently rounded top that rises 50 feet above the surrounding landscape. To Schmidt's eye, the shape stood out. "Only man could have created something like this," he says. "It was clear right away this was a gigantic Stone Age site." The broken pieces of limestone that earlier surveyors had mistaken for gravestones suddenly took on a different meaning.

C.S.Lewis on God's Grand Human Enterprise

     To see, in some measure, like God. His love and His knowledge are not distinct from one another, nor from Him. We could almost say He sees because He loves, and therefore loves although He sees.


     Sometimes, Lord, one is tempted to say that if you wanted us to behave like the lilies of the field you might have given us an organization more like theirs. But that, I suppose, is just your grand experiment. Or no; not an experiment, for you have no need to find things out. Rather your grand enterprise. To make an organism which is also a spirit; to make that terrible oxymoron, a ‘spiritual animal.’ To take a poor primate, a beast with nerve-endings all over it, a creature with a stomach that wants to be filled, a breeding animal that wants its mate, and say, ‘Now get on with it. Become a god.’

C.S.Lewis on the consolation of religion

"Talk to me about the truth of religion and I'll listen gladly. Talk to me about the duty of religion and I'll listen submissively. But don't come talking to me about the consolations of religion or I shall suspect that you don't understand."

C.S. Lewis
Grief Observed.

Dara Shikoh — The Magnificent Prince

Dara Shikoh — The Magnificent Prince

A banker by profession, Salim Ansar has a passion for history and historic books. His personal library already boasts a treasure trove of over 7,000 rare and unique books.

Every week, we shall take a leaf from one such book and treat you to a little taste of history.

BOOK NAME: Dara Shikoh — The Magnificent Prince

AUTHOR: Moin-ud-Din

PUBLISHER: Carvan Book House, Lahore

DATE OF PUBLICATION: 1969

The following excerpt has been taken from Pages: 27 — 31

“The children of Shah Jehan were all by his second and most celebrated wife, Mumtaz Begum; they were fourteen in all, out of whom only seven survived; (1) Jahanara Begum was born at Ajmer in 1614 (2) Dara Shikoh in the same city in 1615 (3) Shah Shuja also at Ajmer in 1616 (4) Roshanara Begum at Burhanpur in 1617 (5) Aurangzeb at Dauhad on Oct 24, 1618 (6) Murad Bakhsh at Rohtas in 1624 and Gauharara Begum at Burhanpur in 1631.

“When Shahjehan took over the throne in 1628, he made no secret of his desire for Dara to inherit the throne from him.

“Emperor Shah Jehan had gone to witness an elephant fight on the bank of Jumna, near the Agra Fort. The two elephants taking part in the duel were Sudhaker and Suret Sunder. As the fight began the two elephants ran for some distance and grappled with each other. The Emperor was witnessing the fight from his horse, accompanied by the four princes. Aurangzeb edged his way forward, to have a closer look at the animals. He was then fourteen years old. After a short while, the elephants let go their grip and withdrew a little. Sudhaker, whose spirit was fully roused, leaving his opponent, turned aside and charged Aurangzeb. Aurangzeb calmly faced the coming danger, kept his horse from turning back and threw his spear at the brute’s head. The situation took a worse turn, panic spread in the crowd, men stumbled on one another while fleeing. The courtiers and attendants ran about shouting. Fire was ignited to distract the elephant, but in vain. The elephant dashed against Aurangzeb’s horse and with a sweep of its long tusks threw both the horse and the rider on the ground. No sooner did his horse fall, Aurangzeb gathered himself, drew his sword and faced the elephant. At that time Shuja forced his way through the crowd and smoke, charged the elephant and struck him with his spear. He was also thrown down by the raging beast. Then came Raja Jai Singh charging and he managed to inflict a deep wound on the animal. Shah Jehan was shouting at his guard to rescue the prince. Just then an unexpected thing happened. The other elephant, Suret Sunder, returned to revive the combat. But Sudhaker, already wounded and harassed and having no courage to face its opponent, fled from the field, pursued by Sudhaker.

“This encounter lasted no more than a few minutes. Dara Shikoh did not come to Aurangzeb’s aid and kept riding away by the side of his father. This roused a lasting enmity in the mind of Aurangzeb against Dara Shikoh. Next day Shah Jehan conferred on Aurangzeb the title of Bahadur or Hero and covered him with presents. When his father lovingly chid him for his rash courage, he replied, ‘if the fight had ended fatally for me, it would not have been a matter of shame. Death drops the curtain even on Emperors; it is not dishonor. The shame lay in what my brother did’.

“Another such incident is revealed when Prince Dara invited his father and brothers to show them a newly constructed underground apartment of his mansion near the river Jumna. The room had only one door. Dara led the party inside but Aurangzeb, instead of entering, sat outside near the door. Even the Emperor’s command did not make him go in. This disobedience cost him his rank and he was forbidden to visit the court. Nine tense months passed. One day his sister Jehan Ara persuaded him to tell the reason for his disobedience. He said, ‘There was only one door to that room. I feared that Dara might lock the door and kill his father and brothers. Therefore, I sat outside the door to keep watch.’ Jehan Ara intimated this to her father, who appreciating the precaution taken by Aurangzeb restored him to honour. That clearly shows how much hatred and mistrust these two brothers had developed for each other.

“Shah Jahan died there on 22nd January 1666 and thus started the war of succession in 1657-58.

“The principal character of the war was Dara Shikoh and Aurangzeb.

“Dara was hunted from place to place through Multan, Sindh, Kathiawar and Gujrat. He was betrayed once near Ajmer, by Jaswant Singh of Jodhpur. Finally, while he was trying to escape to Persia, he was again betrayed by Malik Jiwan Khan, the Afghan chief of Dhandar (near Bolan Pass), on June 9, 1658. The death of his beloved wife Nadira Begam (daughter of Parviz) had much distracted Dara. ‘Death was painted in his eye ... Everywhere he saw only destruction, and losing his senses became utterly heedless of his own affairs’. In the words of Khafi Khan, ‘Mountain after mountain of trouble thus pressed upon the heart of Dara, grief was added to grief, sorrow to sorrow, so that his mind no longer retained its equilibrium ... ... At the end of Zi-l Hijja, 1069 (September 1659), the order was given for Dara Shikoh to be put to death under a legal opinion of the lawyers, because he had apostatized from the law, had vilified religion, and had allied himself with heresy and infidelity.’ After he was slain, his body was placed in a howda and carried round the city (as once before when he was alive). So once alive and once dead he was exposed to the eyes of all men, and many wept over his fate. He was buried in the tomb of Humayun.

“Dara, like Khusru, was an enlightened and popular Prince. Bernier, who was an eye-witness to these tragic happenings, records: ‘Everywhere I observed the people weeping, and lamenting the fate of Dara in the most touching language ... ... from every quarter I heard piercing and distressing shrieks, ... men, women, and children wailing as if some mighty calamity had happened to themselves.’”

DARA SHIKOH - A CONSUMMATE ARTIST AND A SCHOLAR

“The descendants of Timur were not mere warriors but were scholars, poets and possessed a high aesthetic sense. Prominent calligraphists and famous contemporary painters always remained in employment and constituted part of the royal courts. They were given mansab and were highly paid. Emperor Akbar introduced the Persian style of painting. This finally resulted in the realm of fine arts. There were more than one hundred calligraphers and painters in his employment.

“In the days of Akbar, calligraphy had become an art rather than a qualification of personal distinction. The skilled courts calligraphists would write all the orders and letters dictated by the Emperor to the governors of the provinces and foreign rulers. The art of miniature painting was also patronized by Emperor Akbar. This tradition was kept alive by his descendants and talented artists made an important group of Mughal courts till the reign of Aurangzeb.

“The art of painting and calligraphy reached its zenith during the reign of Emperor Shah Jehan. A replica of this period is preserved in the India Office Library. This is a collection of Prince Dara Shikoh. One may call it an album of the prince.

“Prince Dara Shikoh, besides being a scholar, was an artists and a patron of art. He was an outstanding calligraphist. By virtue of his position he could study this art under renowned calligraphists like Aqa Abdul Rashid Dailami. Aqa Abdul Rashid was the chief calligraphist of Shah Jehan’s court, and nobody in the country could compete with him. Some specimens preserved in certain Oriental libraries show that he could write both in Naskh and Nasta’aliq with proficiency. Some of the books written by the prince are still preserved in various libraries and museums of the sub-continent. For instance, the Quran written on a deer skin is kept in Aziz Bagh library in Hyderabad (India). A Panjsura written in Naskh in gold is preserved in Buhar library, Calcutta. A book (Dah Pand-i-Arastu) written in Nasta’liq is lying in the Victoria Memorial Hall, Calcutta. A pamphlet Risala-i-Hikmat-i-Arastu copied by him is preserved in the Asifiya Library, Hyderabad (India). Sharh-i-Diwan-i-Hafiz is also available in the Asifiya Library. An autograph on the precious album which the prince presented to his beloved wife, Princess Nadira Begum and many other hand-written documents of the prince show that he had acquired extraordinary ability in penmanship.

“The prince could made beautiful miniature portraits. He was a good judge of the pictorial art of the Mughals and collected excellent paintings and compiled them in an album. This album he presented to his wife Nadira Bano. It is now lying in the India Office. This is also called Muraqqat of Prince Dara Shikoh. It has seventy-nine folios besides many decorated fly leaves and forty miniatures. It contains excellent specimens of calligraphic and pictorial art, beginning from Akbar’s time till the end of Shah Jehan’s. The collection of these portraits shows his high artistic taste and the labour he did to compile such a rare collection of works of the Indo-Persian art.

“In 1657, Dara Shikoh came out with his greatest masterpiece: Sirr-e-Akbar (The great secret), a translation of the Upanishads into Persian. Completed in 1657 with the help of several pandits from Veranasi Dara Shikoh’s translation of Upanishads is usually regarded in high esteem by the scholars in that field. It is also suggested by some historians that the Persian translation of Upanishad probably made it most accessible to the Europeans of the time as they were more familiar with the Persian language than they were with Sanskrit.”

Shah Sarmad and Prince Dara Shikoh Under a Tree

According to inscriptions written in Nasta'liq script, this painting, Walters manuscript leaf W.912, depicts the Mughal prince Dara Shikoh (born 1024 AH/AD 1615) and the holy man Shah Sarmad seated under a tree. Behind the wise man stands an attendant with a peacock-feather fan. A celebrated scholar, sufi, and ruler, Dara Shikoh was the eldest son of Shah Jahan.
John and Berthe Ford, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 2002, by gift.
Gift of John and Berthe Ford, 2002